The Kazan Avant-garde of 1910–1930s: Regional and National Specific Features

نویسندگان

چکیده

The article highlights the regional version of Russian avant-garde, which developed in such an important artistic center Russia as Kazan, capital a vast region with multi-confessional and multi-ethnic population. reveals origins phenomenon main stages its development, due to historical events creation reorganization Kazan Art School, First World War Civil War, revolution 1917. author positions art part all-Russian process. new state cultural policy began guide development during revolutionary years. Avant-garde artists elaborated directed it towards promotion widespread propaganda avant-garde art. through activities associations — “Sunflower”, “Vsadnik (Rider)”, “TatLEF”, “SULF”, work leading K. Chebotarev, A. Platunova, I. Nikitin, S. Fedotov, Pleshchinsky, N. Shikalov, F. Tagirov, B. Urmanche others. singles out features determined by national religious factors: two peoples are Russians Tatars, who profess Orthodoxy Islam. This predominance at fi rst stage, their passion for various styles European were carried different types Their interest became source experiments. formation galaxy artists-Tatars was characteristic feature after mid-1920s. abolition restrictions Islam did not allow Tatar ne arts adopted facilitated this An role played purposeful activity Urmanche, attracted youth education. In environment, mainly graphic theatrical decorative evolved, stylistic direction Constructivism.

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ژورنال

عنوان ژورنال: Koinon

سال: 2022

ISSN: ['2782-5914', '2782-5906']

DOI: https://doi.org/10.15826/koinon.2022.03.2.021